After many years of slowly whittling away, it seems that the end of the Lost Continent is upon us… When Universal Islands of Adventure opened in 1999, the Lost Continent considered one of the park’s headlining features. Comprised of three mini-lands dedicated to the tales of King Arthur, Sinbad the Sailor, and Greek gods, this realm of myths and legends contained three of the park’s heaviest hitters: Dueling Dragons, The Eighth Voyage of Sindbad stunt show, and theLost Legend:Poseidon’s Fury that was finally sealed in May 2023.
Now, all eyes are positioned forward, imagining what may become of the remnants of the Lost Continent… And as early as 2020, our friends at Orlando Park Stop have suggested that Universal’s newfound partnership with Nintendo makes one concept a clear winner:The Legend of Zelda.
Since 1986, this Nintendo flagship property has whisked guests away to the high fantasy realm of Hyrule, contending with guiding fairies, ancient machines, sealed temples, mystical flutes, and magical swords… seemingly, a natural successor to the Lost Continent itself.
Even before the closure of Poseidon’s Fury had been announced, I had done a little “armchair Imagineering,” drawing up my Blue Sky dreams of how Hyrule could replace the Lost Continent… So I hope you’ll join me on a quest through the Realm of Zelda as I dream it could be at Universal Islands of Adventure…
Background
There’s always been something that makes Islands of Adventure different from any other Universal Park. And if you ask us, the difference is simple: while most Universal parks revolve aroundmovies, Islands of Adventure is a park aboutstories. Whether it’s the picture books of Dr. Seuss, Marvel comic books, the myths and legends of Lost Continent, the classic Jurassic Park, or even the magical village of Hogsmeade, this was a park founded on timelessness;characters that don’t just matter “for now” (see, almost everything next door at Universal Studios Florida) but “forever.”
Which may make it weird that my proposal for replacing a land as original, literary, and timeless as The Lost Continent would bea video game.But I hope you’ll hear me out. Remember, we’re thinkingnot movies, but storiesas a basis for Islands of Adventure…
And frankly,The Legend of Zelda is surely among the most astounding stories and worlds imagined in the last century. Set within and around the Kingdom of Hyrule, the series’ protagonist Link has taken many forms between 8-bit andTears of the Kingdom, but the depth of this world is incredible. And more to the point, it’sintergenerationalandevergreen, continuously renewing and reviving.
The Legend of Zelda is so theme park-able, it madeour list of “What’s Left?” properties justwaitingto be made into “Living Lands.”So even though the idea of adding avideo gameto Islands of Adventure might seem like something I would be against (and generally I would be – I wouldnotplace Super Nintendo Land in Islands of Adventure), “Zelda” is special.
A sort ofLord of the Ringsof video games, The Legend of Zelda is one of swords and sorcery; quests and countdowns; magic and fairies; villages and castles… In many ways, it’s a fitting spiritual successor for the Lost Continent! This is a world worth exploring, and a story worth living. Also likeLord of the Rings, it’s very difficult to select a single place, time, or icon from the world to bring to life. So here’s what I did…
Build-Out
To be honest, I was a Sega kid growing up, and have only limited experience with Zelda. So I worked with what I knew, did some research, and worked out the land you see here.
In designing this “island,” I actually workedonlywith the Lost City section of the Lost Continent (expanding into backstage areas, too) to create a theme-park-able version of Hyrule. Having this land break off of the “wheel” formed by the park’s main path actually works in its favor in my mind, because it makes the land’s E-Ticket a “quest” in its own right –something you have to travel to instead of just encountering it as you loop around the park. In that way, Hyrule requires you to begin, to venture out, and to return. I like that.
Regardless of which of its neighboring islands you enter from, Hyrule begins in Kokiri Forest –Link’s home village, deep in the Lost Woods. With its homes carved into gigantic trees (above) and suspension bridges connecting second-story spaces, this feels like such a warm, welcoming, fantasy place.
Even for those who aren’t familiar with “Zelda,” this feels like a place that instantly communicates a high fantasy world, and the start of a journey. This is a cozy, comfortable home from which we’ll depart.
… And of course, it’s all reigned over by the guardian spirit of the Deku Tree. What I love about this personified tree as an anchor of Kokiri Village is that in one fell swoop, it manages to both echo the prominent, iconic Trident of Poseidon that used to occupy exactly the same space, while also recalling the Enchanted Oak Tavern of Merlinwood, long since replaced by the Three Broomsticks in Hogsmeade.
Even though a smarter person may have started from scratch, I decided to save Mythos, reforming the iconic restaurant’s exterior slightly and giving it a mossier gray-brown stone appearance to becomeTHE WEEPING ROCK RESTAURANT. I feel that the interior still lends itself to the world of Zelda, and reframing it as an enchanted place in the Lost Woods still feels like it works…
Departing from Kokiri, travelers would find themselves beneath the creaking windmill of theWINDWARD OCARINAS. This music shop’s main purpose is, of course, to sell Fairy Ocarinas –this land’s version of the Wizarding World’s interactive wands. Though incredibly simple, these interactive “vessel flutes” would be used to interact throughout the land.
For example, those who exit the Ocarina shop, stand on the bronze plaque before the windmill, and play the Song of Time would see the windmill grind to a halt and reverse direction. Epona’s song would cause a sleeping animatronic horse to awake and neigh in a stable in Kokiri. I think tons of (invented) songs can be used to bring the land to life. For example, the Song of the Sun performed by the lagoon’s edge would cause a lighthouse beacon to illuminate; the Song of Springs would cause water jets to leap from a rock, providing a drinking fountain. I’ve marked interactive Ocarina spots on the map above with an O.
From the Ocarina Shoppe, the trail continues on through the Lost Woods. There, under the shade of the Deku Tree, is a wagon servingDEKU JUICE–what I envision as a Butterbeer counterpart. This sweet, woody, cinnamon cranberry drink with almond maple foam “sap” would appear to come from spile taps hammered right into the bark of the Deku Tree himself. (Gross, I know, but maybe he likes it!)
Nearby would resideDEKU DANCE–a swirling family flat ride. Look, if you’ve read my build-outs of Disney California Adventure or Disney’s Hollywood Studios, you know I’m always trying to find excuses to up parks’ family capacity. Where a good-looking flat ride works, I think we should embrace it. Everyone loves an E-Ticket, but parks also need those supporting rides, and they’re not quite as exciting to market so they tend to get left behind…
Deku Dance would be a Zamperla Demolition Derby – the same off-the-shelf ride model as Mater’s Junkyard Jamboree in California Adventure’s Cars Land, or Alien Swirling Saucers in Hollywood Studios’ Toy Story Land. However, this version would be just one ride system (both of Disney’s versions have two for doubled capacity, which Islands doesn’t need) and would see guests sit in wooden wagons pulled by Deku Scrubs (above).
This is an incredibly fun ride both to experience and to watch, as the wagons swing side to side while turning on turntables and rapidly swapping between interconnected turntables in near-miss “dances.” Imagining one of these in the shaded cover of the Deku Tree and swirling to the wonderfully chaotic and playful music of the Lost Woods, it just seems… perfect.
At long last, the walk through the woods would open from a shaded, forested wood into our destination, where this land’s E-Ticket awaits…
Like any quest, our journey through this corner of Hyrule began in the village of Kokiri, then passed through the Lost Woods as our Ocarinas activated magical interactions throughout this high fantasy world. But now, we arrive somewhere new: the valley village of Kakariko –an incredibly kinetic little town filled with red rile roofs, towers, banners that float in the wind, and windmills across multiple levels of enclosing rockwork.
Of all the places brought to life in the Legend of Zelda,I chose Kakariko for a few reasons. If you’re an armchair Imagineer yourself and want to understand my thinking, here are the primary reasons I went this route:
- First of all, while it may make sense for a Realm of Zelda to conclude at Hyrule Castle, I actively wanted toavoidthat. First of all, Hyrule Castle takes many different forms across the series, so I wasn’t sure that any given structure would instantly scream “Hyrule Castle” or “The Legend of Zelda” to onlookers.
- Second, this corner of the park isalreadydefined by a castle: Hogwarts. It would seem silly to havetwoequally-sized castles rising over the park.
- Third, I felt that Kakariko reads as a place that exists in the same world as the Kokiri Village where we started. That felt important because of the role Hyrule is filling in the park as a forested, high fantasy, Medieval-influenced adventure. The Lost Woods opening up to Kakariko, I think, feels like a natural transition that would be missing if our short jaunt through the woods suddenly left us in some icy corner of Hyrule. Even for folks who don’t know Zelda at all, these two places – Kokiri and Kakariko – feel like part of one mythology, with a transition from “small” to “big” between them.
- Finally, I needed the deepest parts of the land to have “Cars Land” style rockwork blocking views of surrounding showbuildings, so the idea of a town set down in a valley felt like a win-win.
So while Kakariko may not be some ultra-important or iconic place in the series, it fits the brief of needing to bring to life a place that’s unique among the park’s offerings, practical given the constraints, and looks distinctly of this series and of the fantasy-adventure genre.
I centered my interpretation of Kakariko in a village square built on the edge of Lantern Lake, all nestled in the mountains surrounding and decked out in moss, hanging flags and lanterns, and those iconic upswept wooden roofs. The shops includeENCHANTED ARMORY(with swords, hats, and more) andTHE CURIOUS QUIVER(a main retail space, serving as the exit of the land’s E-Ticket ride). Though smaller than I’d like, theHIGH SPIRITS TAVERNserves as the land’s quick service eatery, perhaps with extra seating along the lake.
Speaking of which, the far side of the lake serves as the queue house forLINK’S KAKARIKO SKIMMERS. Again an effort to bolster the park’s supporting attractions, this is a trackless, LPS flat ride similar to Tokyo DisneySea’s Aquatopia. Though the “rafts” in the lagoon appear to be lantern-led wooden boats, they’re actually wheeled, driving around in a shallow pool of rocks, water jets, caverns, and whirlpools creating an “obstacle course” as they drive, reverse, and spin along the course with no track. Water in this raised pool would then cascade down into the park’s lagoon, serving as a sort of well to replenish that main body of water and keep it circulating.
Ultimately, the land’s E-Ticket would take be set far on the edge of town, where –amongst the rubble of broken Guardian machines –the ruins of the Temple of Time await. This is particularly noteworthy because the Temple of Time is notinKakariko. In fact, among the citizens of town, the sudden appearance of this derelict cathedral and the ancient machine parts surrounding would be quite a source of gossip…
Entering via an ancient, mossy courtyard below the Temple itself, guests would enterTHE LEGEND OF ZELDA: QUEST FOR THE TIME SHARDS.Because so many stories and places have fallen into the Zelda mythology, I wanted this land’s grand E-Ticket to be untethered to any particular time or place, and to be able to representyourversion of Link and Zelda’s story –whichever that might be.
So, entering the Temple of Time, guests would discover the anomalous source of the Temple’s appearance in Kakariko: the ancient glass Moon Dial has been shattered, fracturing time and space. The only way to restore the timeline is to follow the fracture back, collecting each Time Shard from the places and people Link has been. Only by revisiting the past can you and Link restore the present and undo Shattered Time.
I would like very much for Quest for the Time Shards to be this park’s Rise of the Resistance –a hyper-real, immersive, next-generation, physical dark ride built with a scale that just leaves people shocked… What I need fromyouis to tell me if this premise seems well tuned to the spirit of Zelda and whether someone who really knows their stuff could take the premise and turn it into a full-blown ride.
Other than aMEET & GREETspace with opportunities to encounter Link and Zelda themselves, that concludes my vision for a Hyrule land. And like all great adventures, the path leads home. Guests would need to wind back through the Lost Woods to Kokiri and Link’s home village before continuing their journey onward…
And speaking of continuing onward, this Hyrule – The Realm of Zelda concept is just one land in my fully expanded and built-out Blue Sky reimagining of Universal’s Islands of Adventure… soif you loved this concept or love Islands of Adventure the way I do,check out the rest of the parkto see what new and reimagined adventures await…
